More Guitar Amps
In this article, we shall be reviewing our most preferred choice of the Best amp for Telecaster.
We will be keeping the price factor in mind during the comparison. It is logical that a $1000 tube amplifier will sound much better than a cheap $100 one. The article is merely for providing a general impression. For best results, go through the amplifiers before making a purchase. The ideal output may vary according to the musical genre and your personal preferences.
The Fender Blues Junior IV is a delight for the bluesmen, but not everyone. Additional factors, including versatility, value-for-money, might make you opt for the Fender Mustang LT-25. Vox VT40X is another high-performance amp within an affordable budget – a great alternative to the Mustang LT-25.
Check it out! We’ve just added the best-selling of 2020 Spark Guitar Amp to the table.
Best Amp for TELECASTER – Comparison Table
BEST VALUE-FOR-MONEY BUY
|Fender Mustang LT-25||
LEGENDARY BLUES-ROCK SOUND
|Fender Blues Junior IV||
A GREAT HOME AMP WITH STUNNING FEATURES
BEST-SELLING PRACTICE AMP of 2020
|Spark Guitar Amp||
CLASSIC BRIT INVASION SOUND
FOR HARD ROCK AND HEAVY METAL DISTORTION
FLEXIBLE ALL-TUBE COMBO AMP WITH SIGNATURE FENDER TONES
|Fender Hot Rod Deluxe IV 40W||
THE GOLD STANDARD FOR GIGGING PROFESSIONALS
|Marshall DSL Series DSL100H||
Best choice headphone amp with various tones
|Vox amPlug 2 AC30||
Fender Mustang LT-25 – The BEST amp for Telecaster among the cheapest
The FENDER Mustang LT-25 is Fender’s welcome call to every budding guitarist. It is a digital amp modeler, with 8” Fender speakers and a wooden cabinet. It features 30 onboard presets (and an additional 20) – the available array of options can be overwhelming at times. However, these also give you the room to explore and stay with your guitar – a little more than the others. The simple user interface also makes tone-tweaking a breeze- with a 1.8” display screen.
Targeted towards beginners, the Mustang LT-25 has much more to offer than the spanky tone of the legendary Twin Reverb. Create your ideal sound with quality effects, ranging from compressors, octave effects, noise-gates, overdrives, tube-screamers. The onboard presets provide faithful guitar renditions of multiple genres – be it punk rock, country, jazz, and blues. All of them can be customized and saved for later use.
- Wattage & Type: 25W. Combo.
- Input channels: 1
- Line out: N/A.
- Weight: 12.75 lbs.
- 20 digital amp models.
- Multiple Effects- including overdrive/distortion, modulation, delay, and reverb.
- 5-step signal processing chain.
- Compatible with a footswitch controller.
- Easy to use, lightweight and portable.
- Stereo aux input for practice, a chromatic tuner, and USB input for tracking.
- Not enough power for playing in gigs.
- No options for line out.
- No Bluetooth connectivity.
- A single encoder knob makes tone-tweaking a little tiresome.
- No options for battery power.
To check the current price of Mustang LT-25, click here
Fender Blues Junior IV – Best in overall performance
Launched first in 1995, the Fender Blues Junior is highly sought after for its exceptional solid-state rectifier output. Minor adjustments over the years include longevity-increasing shock-absorbers for the EL84 tubes. The output is delivered through 50-W “Lightning-Bolt” Eminence speakers.
The Blues Junior excels in delivering the warm bluesy sound. It might not have several tricks in the bag, but the clean output is otherworldly. The “Fat” switch beefs up the output tone while giving the preamp circuit a little push. The sound can be best described as an amalgam between Fender and Vox amps – sparkling highs with a beefy midrange. It is ideal for making single-coil telecasters sing. There is also a ‘Sparkle” mod and Fender’s famed Spring Reverb to go along with.
- Wattage and type: 15 Watts, Solid State Rectifier.
- Input: 1.
- Effects Loop: External Speaker Jack.
- Weight: 31lbs
- Exceptional tonal options with the Sparkle mod, Fat Switch, and Fender spring reverb.
- Loud amp with 15 W power and “Lightning Bolt” speakers by Eminence.
- Shock-absorbers to ensure the longevity of its 2 EL84 tubes.
- Durable chicken-head knobs and dog-bone handle.
- Lightweight and portable compared to other 1×12” amps.
- Drive pedals are recommended in front.
- The amp is a loud one.
- Lacks versatility.
- Build quality could be improved.
- No standby switch.
To check the current price of Fender Junior IV, click here.
Vox VT40X – Digital versatility
The VT40x uses the signature Vox hybrid circuit- the Valvetronix+. The circuitry merges digital modeling with tube technology. A 12 AX7 tube is used to power the modeling algorithm, which results in a highly accurate tube amp sound. There are multiple amp models and effects. Tweak them around to find the sound of your liking and press save. The VT40X is a great alternative for the Mustang LT-25.
The Vox VT40x delivers a pristine sound with its 10” speaker. With 33 preset options, it is also versatile. Shift gears from the classy Vox “chime” sound to the popular metal dual rectifier tones in no time. The 13 digital effects are well-made variants of the originals. The amp packs more power compared to its counterparts.
- Wattage & Type: 40W, Hybrid-Circuit Combo
- Input: 1
- Output: ⅛” headphones
- Weight: 20.94 lbs.
- Hybrid Valvetronix+ preamp digital circuit powered by a 12AX7 Tube.
- USB connectivity and Tone Room Editor software.
- Aux-input connectivity for silent practice.
- 11 amp models, 13 effects, and 33 onboard customizable presets.
- 40W power – can be used for jamming and band rehearsals.
- Adjustable power level control.
- Vox sound is not suitable for everyone.
- The tube needs timely replacement.
- No tracking or DAW options.
- Grounding issues may lead up to unwanted noise.
- No options for driving speakers.
Recommended: Yes, a very good alternative to Fender Mustang LT-25.
To check the current price of VOX VT40X, click here
Vox AC15 – British lineage distinct for the Beatles’ sound
We consider the Vox AC15 tube combo to be an awesome alternative to the Fender Blues Junior III. The Amp has a lot of nice features for any Telecaster player.
The AC15 by Vox is powered by EL84 tubes. You get 15 watts of total power which make this amp ideal for practice sessions as well as small gigs. It’s all tube and powered by EL84 tubes. It comes with either a Celestion or Alnico blue speaker. There is a nice footswitch with spring reverb and a Vox tremolo to help you shape your overall tone. It’s easy to switch channels with the footswitch.
- 15 watts
- Footswitch, top boost jack, and normal jack
- Two channels, top boost and normal
- 15 watts which are ideal for practicing
- Good alternative to the Blues Junior III
- Lacks power for larger gigs
For those that are looking for a good alternative to the Fender Blues Junior III the Vox AC15 is a solid choice. This all-tube powered amp is a real workhouse and is deal for your practice sessions or even backstage for some quick licks before your gig. You can’t go wrong with the Vox AC15 and it’s a solid buy in our view.
To check the current price of Vox AC15, click here
Marshall DSL40CR – Classic Rock and 80’s Metal
Marshall DSL40CR is a tube combo amp and a good choice for the Telecaster. DSL40C is known for its great distorted tones.
The Marshall DSL40C has four 12AX7s and two EL34 tubes for plenty of warm tube sound. It has both a clean and distorted channel. For those that want a heavier sound out of their Telecaster, this amp will deliver. You have both gain and crunch controls for good distortion. The amp has a 1×12 Celestion speaker which are known for their good sound. The 5-way EQ gives you bass, treble, middle, resonance, and presence to help you shape your sound. The effects loop makes it easy to hook-up effects to the amp for even more tonal variety. The footswitch makes it easy to change channels during songs.
- 40 Watts
- 5-way EQ
- Two channels
- Celestion speaker
- 40 watts for larger gigs
- Powerful distortion for many guitar styles
- FX loop for pedals
- Footswitch for easy channel switching
- A bit on the heavy side to carry
- Hum due to Telecaster single-coils
Marshall DSL40CR is a real powerhouse and perfect for most guitar styles. The clean channel will make your Telecaster sing. You may not use all of the distortion features but this is still an amazing amp.
To check the current price of Marshall DSL40C, click here.
Fender Hot Rod Deluxe IV – 40W Vintage Hot-Rod overdrive classic
Fender Hot Rod is an amp that has been around for 20 years. The 2018 Deluxe IV version is the fourth generation of this iconic Fender amplifier. This amp has a lot of good features and it’s perfect for small gigs thanks to the 40 watts of power.
The Fender Hot Rod Deluxe IV features the famous Fender Tweed styling so it looks great. Once nice feature is that the controls are on top so its easy to access. It has an A-type Celestion speaker which produces a great tone when you play. You have two channels to work with a clean and distorted one. Once you are in channel two the amp can create full rock tones as well as metal crunch. You can use the drive switch to dial in more, gain if you prefer which is ideal for solos. Sculpt your sound with a well-rounded control panel with bass, middle, treble, presence, and reverb.
- 40 watts
- Two channels
- Famous Fender reverb
- 3 12AX7 tubes and 2 6L6s
- Two Celestion speakers
- Plenty of control over your sound
- 40 watts for larger gigs
- Good reverb sound
- 2 channels
- A bit heavy
- Treble could be a bit better
Fender Hot Rod Deluxe IV is an excellent amplifier for those that want to play many styles especially rock, blues, and metal. It has enough power for gigs and a recommend choice for your Telecaster guitar.
To check the current price of Fender Hot Rod Deluxe IV, click here
Marshall DSL100H – Classic distortion for the stages
Marshall DSL Series DSL100H is a 100-watt head design for those that are on big stages and need a lot of power. This amp gives you the legendary Marshall tones you crave and it’s ready to be set up with your favorite cabinets. This is a modern Marshall amp with a lot of great features.
This amplifier has all the power that you need for large gigs. It’s suitable for outdoor gigs as well as clubs where you need more watts. The amp has a solid handle so it’s easy to carry to the gig and setup with your cabinets. It has MDF board and a folded metal chassis to keep the head stable. You get two channels, two volume controls, and two gain controls for each channel. You can easily switch between the two channels. These channels share the bass, middle, and treble EQ controls. There is also a tone shift button to gives you better attack and a smoother response as you play. You get a footswitch as well as an effects loop with this head.
- 100 watts
- 2 channels
- Folded metal chassis
- Wide range of professional tones
- Reverb controls
- Clean and crunch for both channels
- Tone shift for more sound flexibility
- With heads, you have to buy cabinets
- Not suitable for small venues
Marshall DSL Series DSL100H has everything required for those big gigs. Pair it with your favorite cabinet speaks and you have a tone machine. The two channels have both gain and volume which is a nice feature. This is a recommended amp head that you’re going to love.
To check the current price of Marshall DSL Series DSL100H, click here.
BEST AMP FOR TELECASTER: BUYER’S GUIDE
The first commercially produced electric guitar in the market – the Fender Telecaster is a timeless classic. It is still revered among session musicians for its durability, versatility, and unique “twang” output through various amplifiers.
Before you buy the best amp for Fender Telecaster or other Telecaster style guitar there are some things you need to know. This guide will help you find the best Telecaster amplifier for your needs.
Tube, Solid State, Combo, Amp Head or Amp Modeling?
There are three main types of amplifiers that you must consider. These are tube, solid state, and amp modeling. Tube amplifiers are the oldest type of amplifier and they use vacuum tubes to power the amplifier.
You need to replace these tubes when they burn out. This will add extra cost to your amplifier but you get the benefit of excellent sound. Some of the best recordings ever made were done on tube amplifiers. If you want a vintage sound out of your telecaster it’s recommended that you buy an amplifier that it at least has a couple of tubes.
Solid-state amplifiers used solid state circuitry to power the amplifier. They don’t use tubes and the sound isn’t quite as good as the tube amplifier. over the past decade or so, solid-state amplifiers have improved a lot and many of them are on par with tube amplifiers. You will find a wide range of solid-state amplifiers on the market for your Telecaster guitar. many beginning guitar players will end up starting with a solid-state amplifier because they can be less expensive when compared to a tube amp. the sound of solid-state amplifiers is not quite as good that’s what you get from a tube amplifier.
One of the most common types of the amplifier is the combo amplifier. The combo amp includes the amplifier itself and one or more speakers in a cabinet. This includes everything in one package so you don’t need a separate speaker cabinet. Mini practice amplifiers are combo amplifiers and they could be solid state, tube, or even a combination of solid state and tubes. In many combo amplifiers you can take the speaker out and use your own speaker which will enhance the sound.
An amp head is an amplifier itself but there is no speaker attached to it. You need to attach a speaker system to the amp head in order to hear it. Many of the larger amplifiers you see on stages are amp heads and speaker cabinets. These are often referred to as stacks. You could have a Half Stack where there are just one speaker cabinet and an amp head or a full stack where there is one amp head and maybe two or three speaker cabinets.
Amp modeling is a relatively newer type of amplifier. These types of amplifiers use digital circuitry. The purpose of this amplifier is to recreate the sounds of different amplifiers. for example, you may find one of these amplifiers that can recreate the sounds of famous amplifiers from the ’60s, ’70s, and so on. The reason why these amps are so popular is they allow you to create decent guitar tones without having to buy very expensive equipment. They often come in small packages that are perfect for practicing. they’re also easy to hook up to your computer so you can begin recording.
What Are You Using the Amp For?
You will go through several amplifiers in your guitar playing career so you have to decide what you’re going to use the amp for. If you’re just practicing playing your Telecaster guitar it doesn’t make much sense to buy a full-stack amplifier because this is way too loud for practice. It would make more sense to buy a smaller practice style amplifier or even a small combo amplifier which would still give you plenty of decent tones for practicing. If you’re going to record tracks with your amplifier then you want to buy an amplifier that has plenty of features so you can get a decent tone out of the amplifier for your recording sessions of the smaller practice amplifiers lack the sound necessary for proper recording.
you also have to keep in mind the types of effects you want to use. Many small amplifiers will come with effects already built in. For example, you will have Distortion, Reverb, delay, overdrive, and other effects built into the amp. This can save you a lot of money because you don’t have to buy pedals for your amplifier which can cost you a lot of money individually. Some amplifiers will have what is called an effects loop and you can use this to attach your pedals. You will have to refer to the individual amplifier manufacturer and the model to determine whether or not your amplifier has an effects loop and you can attach pedals to it successfully. Some small amps won’t work well with pedals because the pedals simply produce too much noise.
You will have to determine the wattage that you want for your amplifier. Amplifiers that range between 10 to 40 Watts are usually set aside for practice sessions only. This is because the amplifier has the power necessary to cut two other instruments such as bass and drums as well as the noise of the venue. Amplifiers that are 40 watts and up will usually have enough power for many different playing scenarios. The larger the venue you are playing in the more wattage in power you’re going to need to cut through all of the other sounds so the guitar can ring out nice and clear.
TELECASTER AMP SETTINGS
Fender Telecaster guitars and other Telecaster guitars are designed for specific genres of music. This type of guitar is usually most popular in country, blues, classic rock, and similar guitar styles. You need to play around with the settings on your amplifier to get to the best sound. Don’t just turn everything up to 10 because in general, you will not get a good tone this way. You want to turn the dials up gradually until you dial in the tone that you like. if you happen to have an amp modeling style amplifier, there may be a patch or a bank where you can save this tone.
The Telecaster tends to sound the best on clean guitar amplifier settings. you can, of course, add some effects such as chorus, delay, and Reverb but in general, the clean setting is what will make the Telecaster shine. It has a very sweet tone to it when it is Play the clean.
While the telecasters sound great in the clean setting it sounds pretty amazing when you use Overdrive or some light distortion. You don’t want to turn up the gain too high on a Telecaster because it’s simply not designed for high-gain guitar playing such as metal guitar Styles. If your telecaster happens to have a humbucker pickup then more gain won’t be as much of a problem.
FAMOUS TELECASTER PLAYERS
Here are some famous Telecaster players that mainly play the Fender Telecaster or another type of Telecaster style guitar.
- Keith Richards (Rolling Stones) – One of the most famous Telecaster players is Keith Richards. He plays Telecaster guitars almost exclusively although he does use other guitars from time to time. Many of the Stones songs are tuned to a G tuning and this is how Richards gets his famous tone.
- Albert Collins (Blues Artist) – Another famous Telecaster player is the blues great Albert Collins. He played telecasters all the time and he had a unique way of playing them. He used to put a capo for up on the guitar neck and then tune his guitar to an F minor chord. This tuning gave his guitar playing a unique tone. His tone was so famous that he was known as The Ice Man.
- Merle Haggard (Country Artist)- Country guitar legend Merle Haggard was also known for his use of Telecaster-style guitars. he has a Fender signature Telecaster guitar.
- Brad Paisley (Country Artist) – Another country guitar legend is Brad Paisley and he also plays Telecaster guitars. You will also find a signature guitar from Fender in his name.
- Many Famous Telecaster Players – These are just a few of the famous Telecaster players. There are many different artists that have played this type of guitar. Here is a list of famous Telecaster guitar players.
TOP 7 BEST FENDER TELECASTERS
In their nearly 70-year history, Fender telecasters have endured the test of numerous tours, a variety of weather conditions, and the most incredible demands of performers. They are true stage workhorses that have left an indelible mark on the history of electric guitars.
Telecasters will forever be a part of the most “heavy-duty” concerts in history (Springsteen, The Stones, etc.), which were survived with dignity thanks to the simple and rock-solid construction of these guitars. We decided to compile a selection of what we think are some of the best telecasters currently being produced by the company. From vintage classics to quite modern styles, to suit every taste and character.
Fender Player Telecaster
The Player Telecaster gets an instant bonus for its satin maple wood fingerboard surface, which is very pleasant to the touch. Also, its bridge pickup is one of the most interesting transducers for telecasters to hear in this price range. There is no brashness or overdrive in its sound in the lower range. It’s a perfectly balanced sound, perfect for open riffs and chords.
Of course, the compromise with the use of AlNiCo V magnets means that the sound won’t satisfy vintage style fans, but this guitar isn’t made for them. If you’re looking for an easy-to-use telecaster that has a classic tone and a champion response to amplification, you won’t be disappointed.
Fender Player Telecaster features:
- well-balanced bridge pickup;
- works perfectly with gain;
- extremely comfortable for long sessions;
- There are more functional telecasters in the same category.
Fender American Original ’50s Telecaster
Guitars in this series are not just clones of vintage guitars of the respective decade but claim to be the “best of the decade” in sound quality. A modern 241mm fingerboard radius combines with a retro sound that is a successful modification of the classic telecaster of that era.
In general, the vintage approach to telecasters never ceases to amaze – it is more of a working instrument than a decoration for a collection. The slightly larger fingerboard and slightly higher frets allow you to feel the style of a bygone era but avoid the basic problems that are typical of vintage guitars. Vintage is still inspiring, but only with the changes that modern guitar making has brought to it.
Features of the Fender American Original ’50s Telecaster:
- has a sound in the style of the early Telecasters, but with a more modern approach to performance;
- a large range of classic tones;
- increased weight and fingerboard shape not suitable for all players;
- no treble control.
Fender Squier Classic Vibe ’50s Telecaster
The Fender Squier Classic Vibe ’50s Telecaster has a four-piece, solid pine body that is more associated with IKEA than Fender. But the prototype of the guitar that would later become the Telecaster was created in 1949 just the same solid pine.
Classic Vibe Telecasters may look like they came out of the early 1950s, but they are based on a modern approach to performance. A thinner fingerboard, a more comfortable arrangement of controls, and a choice of vintage AlNiCo III or modern AlNiCo V highlight the instrument’s evolution over the decades. The combination of the acoustic qualities of the pine body and the warm sound of the pickups allows the guitar’s sound to burst through the mix in a familiar telecaster style, be it jazz or classic rock.
Timeless design combined with modern construction – and at this price point, the Classic Vibe can surprise even the picky customer.
Features of the Fender Squier Classic Vibe ’50s Telecaster:
- nice solid pine body;
- energetic single coils;
- comfortable rather than the stunning instrument.
Fender Classic Player Baja ’60s Telecaster
Baja ’60s that makes you look at the possibilities of telecasters from a new angle. It would seem that all the main points of the classic design are in place – bridge, pickups, deck, fingerboard – but a four-position switch is used here instead of a three-position switch. The extra position gives you the ability to control a pair of pickups in a heavier, louder, humbucker-style manner.
The standard guitar sound is classic, more spacious than a Stratocaster, but without losing its nuances. The top pickup sounds juicier here than on vintage Fender electric guitars. Otherwise, the Baja series adheres to a more or less classic recipe – the rosewood fingerboard combines with the alder body to give the sound a smooth upper range, especially noticeable if you switch to this guitar from the Gibson, which has a more old-school character.
Fender Classic Player Baja ’60s Telecaster features:
- smooth and high-quality sound;
- ideal pickup choice; wide tone range;
- not for fans of traditional telecasters.
Fender Deluxe Nashville Telecaster
The Nashville Telecaster pays homage to Leo Fender and the boom of the Nashville music scene in the late 1950s. This guitar combines both telecaster and Stratocaster elements. The bridge and fingerboard pickups are all from a telecaster, while the middle coil is Stratocaster-style. All of them, however, belong to the same line of Fender Vintage Noiseless.
Due to the particular design of the pickups, the guitar has a convincing tonal range, from shrill notes to squeaky Hendrix-style tones. This telecaster features a 305mm fingerboard, just like Les Paul guitars. As a result, the performer has a little more leeway when playing than on other models of this type.
Regardless of its connection to the history of country music in Nashville, this guitar provides an interesting “midrange” sound experience from Fender.
Features of the Fender Deluxe Nashville Telecaster:
- versatile sound;
- silent pickups;
- The specificity of the midrange pickup won’t appeal to everyone.
Fender American Performer Telecaster
Performer Telecasters have a classic look. The series came to replace the popular American Elite. The main feature – silent Double Tap pickups allow opening the sound of the guitar, and ClassicGear tuners together with the 3-saddle allow to keep the character of the sound and the line of the instrument.
Greasebucket™ tone scheme to shape the treble without adding bass, keeping the sound perfectly readable. Shortened stock picks allow for a greater string angle behind the rocker sill, improving tuning stability.
Overall, this telecaster looks and sounds very modern, combining a comfortable price point with an interesting pickup option.
Features of the Fender American Performer Telecaster:
- very nice design;
- extremely comfortable to play;
- quiet pickups;
- extended tonal range not for vintage style devotees.
Fender Chris Shiflett Telecaster Deluxe
The signature series of Chris Shiflett Telecasters from the Foo Fighters features sound pickups capable of handling high gain levels. Special CS1 and CS2 humbuckers allow this telecaster to produce both large-scale riffs and whistling sounds of any power and tone.
The pickup features are backed by a 305mm maple fingerboard with rosewood overlay and an alder wood body – no frills.
Unfortunately, this guitar lost its “telecaster” personality with its attempt to become a true rock instrument. But this is a true aggressive rock instrument for dedicated fans of the genre.
Features of the Fender Chris Shiflett Telecaster Deluxe:
- stunning design;
- versatile performance;
- great-sounding humbuckers;
- not for classical fans.
BEST AMP FOR TELECASTER – FAQ
I Can’t Get a Good Tone out of my Amp What is Wrong?
Answer: The tone of your amplifier is determined by a number of factors. You should always ensure that your guitar is properly intimated and that you were using fresh strings on it as this will improve the overall tone. Use a high-quality guitar cable with your amplifier is this will improve the sound. Make sure knobs on your amplifier are at a reasonable level and not turned up too loud. You have to experiment with your amplifier a great deal before you find tones that you like. Other things you can do include making sure your guitar is properly intimated and that you were using fresh strings on it as this will improve the overall tone.
What Is Gain on a Guitar Amp?
Answer: Gain is one of the most commonly used settings of a guitar amplifier. But a lot of guitar players don’t actually understand what gain does on a guitar amp. What’s the best setting? Does the “more means better” rule work here? Is gain the same as volume? Read more in full article
My Amp Buzzes, is it Broken?
Answer: No. In most cases, there is nothing wrong with her amplifier. The reason why you hear buzzing is that most Telecaster guitars have single coil pickups. These will produce a lot of buzzing. To reduce the buzzing, you should avoid using too much Distortion with your guitar or buy a pedal called noise Gate which will reduce the overall noise.
My Amp Says Gain What is That?
Answer: Many amplifiers come with a gain switch or control knob. This helps you control the level of distortion in your amplifier. When you turn up the gain on the amplifier you get more distortion. Many styles of music especially rock guitar, rely on gain.
What are Effects?
Answer: Guitar effects are simply a way to change the sound of your music. A lot of music can sound dull on its own but when you add in the guitar effects the sound can change a great deal. Mini guitar amplifiers have effects built into them or you can buy what it’s called an effects pedal. Common pedals include delay, flanger, overdrive, and distortion.
My Tube Amp Isn’t Working what is Wrong?
Answer: If you have a tube amplifier, it might not be working because the tubes in the amplifier have died. Guitar tubes will wear out over time and they need to be changed. You can have a guitar technician do this for you or if you know how you can remove the back and change the tubes of yourself.
What is a Channel?
Answer: Many guitar amplifiers have channels. an amplifier may have one or more channels on it. For example, you may have a clean channel with limited effects. Your amplifier may also have a gain channel that you can switch over to for distortion. Some amplifiers will feature channel switching to a small box that sits on the floor. You can press a button and go from a clean channel to a distortion channel and back again perfect.
How Many Watts Do I Need?
Answer: The number of Watts you need will all depend upon what you want to do. Here is a quick guide to help you:
- 10-20 watts– Practice amplifier
- 30-40 watts – Small gigs (Coffee shop, school events)
- 40-100 Watts – (larger gigs, big clubs)
- 100+ – Most large concerts will not use more than 100 Watt amplifiers. The sound is amplified through additional speakers, PA systems and monitors.
What Do Bass, Middle, and Treble Do?
Answer: These controls essentially act as an equalizer. For example, if you turn up the bass control you get more bass response out of your guitar. if you turn up the treble you will get a more treble response. Bass makes the sound deeper while trouble tends to make the sound brighter. More bass is better for rhythm playing while treble will make your guitar leads sing.
How do I Record with my Amp?
Answer: Recording your guitar can be complex but here are some simple tips. You should buy an amplifier that has a USB port. Many amp modeling guitars have this feature and make an excellent option for a recording amplifier. You don’t have to buy expensive microphones or other equipment. You can simply plug your amplifier into your computer, use some digital audio workstation software or DAW and begin your recording session.
What is the Best Amp for Telecaster?
Answer: There is a wide range of amplifiers that you can choose from for your Telecaster. It’s all going to depend upon the sound that you want to create. Through our extensive testing, we have determined that the Fender Mustang LP-25 the best amplifier did you can get for practicing. It is suitable for beginners and is the best choice overall. You will have to experiment with amplifiers a great deal to find one that works for you but this one is a solid and a recommended choice.
My Speaker has Other Sounds Coming out of it. Can you Explain What is Happening?
Answer: Are amplifiers especially at a louder volume you may hear other sounds coming out of it. This is usually caused by other electrical appliances that are around your amplifier such as your television, computer, or other electronics. If you want to reduce the amount of noise that comes out of your amplifier try to have a dedicated area such as a music room where you use your amplifier. You should reduce most of the random noise that comes out of the amplifier. Guitar pedals such as noise gates can also help reduce this random and unwanted noise.
We performed a lot of research but our clear winner is the Fender Mustang LP-25. This is the best value for money amp for Fender Telecaster style guitars. It’s perfect for rock, country, and blues styles. It makes a solid practice amplifier and has the features that you need. The other amps on our list are also good choice to meet other needs for an amplifier to compliment your Telecaster.